Halfway through “Bye Bye Kiplingwinnata,” Nam June Paik’s mash-up of music and video graphics from 1986, the camera pans to a tenor sax player as he leaps through “Tribute to N.J.P.” with its composer, Ryuichi Sakamoto, behind him on piano, conjuring a blend of Shostakovich and Keith Jarrett.
The two musicians had joined Paik’s project, which was simultaneously broadcast from New York and Tokyo, to help rebut Rudyard Kipling’s line, “East is East, and West is West, and never the twain shall meet.”
The twain meets again this week, when that saxophonist, Yasuaki Shimizu, embarks on his first North American tour, starting at National Sawdust in Brooklyn, Thursday and Friday, before going on to Chicago,89vip cassino Toronto, California and Seattle. And on Saturday, at the Metrograph theater on the Lower East Side, Shimizu will introduce four films that he scored, including “Bye Bye Kipling.”
For a musician whose inventive arrangements of Bach and whose TV and movie scores have made him a minor celebrity in Japan, the tour is long overdue. (He last performed in the United States in the 1970s.)
ImageShimizu at work in Kanagawa. Credit...Kentaro Takahashi for The New York TimesA career retrospective, it should give audiences a taste of Shimizu’s wide-ranging music. He has recorded some 40 albums in as many years — starting in the late 1970s with slick fusion boogie and progressive rock — and has been a prized sideman in the electronic and improvised scenes. With most of his recordings still out of print in the States, he has remained something of a cult figure here.
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“I just don’t like the way they’re playing it, telling us we should all be more optimistic when things just are not looking good right now,” Mr. Howard said while warming up for a softball game in East Las Vegas. “They’re all out for themselves, not helping people like us over here. We just get the same promises, and not much is changing.”
Recognizing the extraordinary dangers of a president seeking not just to weaponize the criminal justice system for political ends but trying as well to assume personal control over who should be investigated and charged, the White House counsel, Donald F. McGahn II, sought to stall.
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